THE HAPENING | |
GENRE | CHAOTIC THRILLER |
MISE-EN-SCENE | EMPTY CARS DEAD PEOPLE RED AND LONG BLACK PERIODS |
SOUND | DI GETIC: SCREAM’S WIND ROAR CRYING CHILD |
NON-GIGETIC: SCARY MUSIC AND VOISE OVER | |
EDITING | PUT TOGEATHER USING SNIPITS THAT MOST PEOPLE WOULD FIND INTICING FADEINS |
LIGHTING | DARK WITH SDUDDERN LIGH FLASHES |
REALISM | IT BASED ON THE POSSIBLE, SOMETHING THAT’S COULD POTENTIALL HAPPEN BUT HASENT SO FAR |
CUTTING | BLACKOUTS FADING SUDDERN FLASHES TO TOWQARDS THE MIDDLE SPEEDING UP IN FREQUENCY AND REDUCING IN LENGTH THEN TOWARDS THE END USING WHITEOUTS INSTEAD TO INCREASE TENTION |
PERSONAL OPPINION | WOULD DEFONATLY GO AND WATCH THIS FILM |
AUDIENCE | TEENS INTERLECTUALS |
INTERTEXTUALLITY | COMPARRITIVE TO I AM LEDGAND |
Sombre sound non-digetic sound steadily increasing to the feeling of doom this was all used to build the atmosphere. Panning shot to central park in new york as the opening scene almost like a docudrama cut to some people two shot interetextual refrence of the book being horror building music blank facial expressions and then high angle shot of the murder wepon with an almost like death march as she kills herself
Turning the impact noise and